An oil on canvas painting attributed to Swedish artist, Michael Dahl (1656/59-1743), Portrait of Prince Eugene of Savoy in Armour and wearing the Order of the Golden Fleece. The Prince stands before us in a powerful stance, left hand on his hip and right hand holding a military baton. He wears an ermine lined red cape. Behind him in the background is a military battle scene with knights on horseback. On his right sits his plumed helmet.

The painting is unsigned, but the artist seldom signed his works. Most that bear his name are inscribed and not signed.

Information about Prince Eugene of Savoy from Wikipedia:

Prince Eugene Francis of Savoy-Carignano^[1] (18 October 1663 – 21 April 1736), better known as Prince Eugene, was a field marshal in the Army of the Holy Roman Empire and of the Austrian Habsburg dynasty during the 17th and 18th centuries. He was one of the most successful military commanders of his time, and rose to the highest offices of state at the Imperial court in Vienna.

Born in Paris, Eugene was brought up in the court of King Louis XIV of France. Based on the custom that the youngest sons of noble families were destined for the priesthood, the Prince was initially prepared for a clerical career, but by the age of 19, he had determined on a military career. Based on his poor physique and bearing, and perhaps due to a scandal involving his mother Olympe, he was rejected by Louis for service in the French Royal Army. Eugene moved to Austria and transferred his loyalty to the Holy Roman Empire.

In a career spanning six decades, Eugene served three Holy Roman Emperors: Leopold I, Joseph I, and Charles VI. His first battle experiences were fought against the Ottomans at the Siege of Vienna in 1683 and the subsequent War of the Holy League, before serving in the Nine Years' War, in which he fought alongside his cousin, the Duke of Savoy. The Prince's fame was secured with his decisive victory against the Ottomans at the Battle of Zenta in 1697, earning him Europe-wide fame. Eugene enhanced his standing during the War of the Spanish Succession, where his partnership with the Duke of Marlboroughsecured victories against the French on the fields of Blenheim (1704), Oudenarde (1708), and Malplaquet(1709); he gained further success in the war as Imperial commander in northern Italy, most notably at the Battle of Turin (1706). Renewed hostilities against the Ottomans in the Austro-Turkish War consolidated his reputation, with victories at the battles of Petrovaradin (1716), and the decisive encounter at the Siege of Belgrade in 1717.

Throughout the late 1720s, Eugene's influence and skilful diplomacy managed to secure the Emperor powerful allies in his dynastic struggles with the Bourbon powers, but physically and mentally fragile in his later years, Eugene enjoyed less success as commander-in-chief of the army during his final conflict, the War of the Polish Succession. Nevertheless, in Austria, Eugene's reputation remains unrivalled. Although opinions differ as to his character, there is no dispute over his great achievements: he helped to save the Habsburg Empire from French conquest; he broke the westward thrust of the Ottomans, re-occupying areas that had been under Turkish control for a century and a half; and he was one of the great patrons of the arts whose building legacy can still be seen in Vienna today. Eugene died in his sleep at his home on 21 April 1736, aged 72.

The painting measures 50 3/8” x 39 3/4” and overall with gilt frame measures approximately 57 3/4” x 48”. The painting is in very good overall condition with some slight frame rubbing. Frame with minor losses and chips to paint, some repairs and repainted frame surface.

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